{ "cells": [ { "cell_type": "markdown", "metadata": {}, "source": [ "What makes a good script?\n", "Separation of dialog and direction?\n", "Diversity of dialog?\n", "Number of characters?\n", "Length of movie?\n", "-- topic modeling\n", "-- sentiment/emotion modeling?\n", "Length of dialog?\n", "LINES of dialog?\n", "Scenes? -- how to determine scene\n", "Word diversity?\n", "\n", "Tokenizer -- \n", "\n", "\n", "\n", "https://stackoverflow.com/questions/49860162/uncover-a-dialogue-of-a-movie-script-to-count-the-words-spoken-by-characters" ] }, { "cell_type": "code", "execution_count": 1, "metadata": {}, "outputs": [ { "data": { "text/plain": [ "['THIS SCRIPT IS FOR\\nEDUCATIONAL PURPOSES ONLY\\n\"Titanic\" a screenplay by James Cameron\\nCast:\\nKATE WINSLET.',\n", " '.',\n", " '.',\n", " 'Rose DeWitt Bukater LEONARDO DICAPRIO.',\n", " '.',\n", " '.',\n", " 'Jack\\nDawson KATHY BATES.',\n", " '.',\n", " '.',\n", " 'The Unsinkable Molly Brown BILLY\\nZANE.']" ] }, "execution_count": 1, "metadata": {}, "output_type": "execute_result" } ], "source": [ "file = open('titanic_clean.txt').readlines()\n", "\n", "all_text = \"\"\n", "for line in file:\n", " all_text += line\n", "\n", "all_text = all_text.replace(\"@\", \". \")\n", "all_text = all_text.replace(\".\", \". \")\n", "all_text = all_text.replace(\"\\'\", \"\")\n", "\n", "import re\n", "# all_text = re.sub(r'[0-9]', '', all_text)\n", "# chapters = all_text.split('CHAPTER ')\n", "ch1 = all_text\n", "import nltk\n", "sentence_list = nltk.sent_tokenize(ch1)\n", "sentence_list[:10]" ] }, { "cell_type": "code", "execution_count": 3, "metadata": {}, "outputs": [], "source": [ "new_text = all_text.split('\\n')" ] }, { "cell_type": "code", "execution_count": 5, "metadata": {}, "outputs": [], "source": [ "from collections import Counter\n", "new_text_count = Counter(new_text)" ] }, { "cell_type": "code", "execution_count": 7, "metadata": {}, "outputs": [ { "data": { "text/plain": [ "[('ROSE', 204),\n", " ('CUT TO:', 185),\n", " ('JACK', 182),\n", " ('(CONTINUED)', 159),\n", " ('CAL', 87),\n", " ('LOVETT', 37),\n", " ('RUTH', 29),\n", " ('MOLLY', 28),\n", " ('SMITH', 27),\n", " ('ANDREWS', 25),\n", " ('BODINE', 22),\n", " ('LOVEJOY', 18),\n", " ('LIGHTOLLER', 17),\n", " ('FABRIZIO', 15),\n", " ('ISMAY', 14),\n", " ('OLD ROSE (V. O. )', 13),\n", " ('(MORE)', 12),\n", " ('STEWARD', 12),\n", " ('MURDOCH', 12),\n", " ('CONTINUED:', 11),\n", " ('LIZZY', 11),\n", " ('TOMMY', 11),\n", " ('LOVETT (CONTD)', 9),\n", " ('FLEET', 9),\n", " ('ROSE *', 9),\n", " ('BUELL', 8),\n", " ('BROCK', 8),\n", " ('LOVETT *', 8),\n", " ('GRACIE', 7),\n", " ('LOWE', 7),\n", " ('water. ', 6),\n", " ('MAN', 6),\n", " ('OLD ROSE', 6),\n", " ('ROSE (CONTD)', 5),\n", " ('MOODY', 5),\n", " ('WOMAN', 5),\n", " ('(to Jack)', 5),\n", " ('DISSOLVE TO:', 5),\n", " ('BRIDE', 5),\n", " ('STEWARD #2', 5),\n", " ('HITCHINS', 5),\n", " ('MASTER AT ARMS', 4),\n", " ('(low)', 4),\n", " ('(laughing)', 4),\n", " ('STEWARD BARNES', 4),\n", " ('ANATOLY', 3),\n", " ('LOVETT (V. O. )', 3),\n", " ('CONTINUED: (2)', 3),\n", " ('BODINE (CONTD)', 3),\n", " ('ship. ', 3),\n", " ('ROWE', 3),\n", " ('FIRST OFFICER MURDOCH', 3),\n", " ('down. ', 3),\n", " ('COLONEL GRACIE', 3),\n", " ('out. ', 3),\n", " ('them. ', 3),\n", " ('PHILLIPS', 3),\n", " ('LEE', 3),\n", " ('HARTLEY', 3),\n", " ('FATHER BYLES', 3),\n", " ('CAL *', 3),\n", " ('BODINE *', 3),\n", " ('CONTINUED: (3)', 2),\n", " ('Shit. ', 2),\n", " ('LOVETT (contd)', 2),\n", " ('Ill be God damned. ', 2),\n", " ('call. ', 2),\n", " ('(to Rose)', 2),\n", " ('(to Lizzy)', 2),\n", " ('PORTER', 2),\n", " ('CAL (CONTD)', 2),\n", " ('(subtitled)', 2),\n", " ('(grinning)', 2),\n", " ('PUBKEEPER', 2),\n", " ('TRUDY', 2),\n", " ('already. ', 2),\n", " ('(to the waiter)', 2),\n", " ('Excuse me. ', 2),\n", " ('CAL (contd)', 2),\n", " ('horse. ', 2),\n", " ('(to Cal)', 2),\n", " ('Titanic?', 2),\n", " ('they are. ', 2),\n", " ('years. ', 2),\n", " ('Jack. ', 2),\n", " ('Well, they didnt think too much of em', 2),\n", " ('in Paree. ', 2),\n", " ('(smiling)', 2),\n", " ('MARVIN', 2),\n", " ('Entrance. ', 2),\n", " ('SIR COSMO', 2),\n", " ('GUGGENHEIM', 2),\n", " ('world. ', 2),\n", " ('her. ', 2),\n", " ('TRANSITION:', 2),\n", " ('EVANS', 2),\n", " ('Iceberg right ahead!', 2),\n", " ('BELL', 2),\n", " ('BARRETT', 2),\n", " ('HUTCHINSON', 2),\n", " ('Right. ', 2),\n", " ('stairs. ', 2),\n", " ('My God. ', 2),\n", " ('(to himself)', 2),\n", " ('the crowd. ', 2),\n", " ('Lower away!!', 2),\n", " ('back. ', 2),\n", " ('Come on. ', 2),\n", " ('him. ', 2),\n", " ('HUSBAND', 2),\n", " ('tables. ', 2),\n", " ('Lets go. ', 2),\n", " ('JOUGHIN', 2),\n", " ('soon. ', 2),\n", " ('screaming. ', 2),\n", " ('mind. ', 2),\n", " ('LIZZY *', 2),\n", " ('THIS SCRIPT IS FOR', 1),\n", " ('EDUCATIONAL PURPOSES ONLY', 1),\n", " ('\"Titanic\" a screenplay by James Cameron', 1),\n", " ('Cast:', 1),\n", " ('KATE WINSLET. . . Rose DeWitt Bukater LEONARDO DICAPRIO. . . Jack', 1),\n", " ('Dawson KATHY BATES. . . The Unsinkable Molly Brown BILLY', 1),\n", " ('ZANE. . . Caledon Hockley BILL PAXTON. . . Brock Lovett', 1),\n", " ('Written and Directed by:', 1),\n", " ('JAMES CAMERON', 1),\n", " ('1 BLACKNESS 1', 1),\n", " ('Then two faint lights appear, close together. . . growing', 1),\n", " ('brighter. They resolve into two DEEP SUBMERSIBLES, freefalling toward us like express elevators. ',\n", " 1),\n", " ('One is ahead of the other, and passes close enough to FILL', 1),\n", " ('FRAME, looking like a spacecraft blazing with lights,', 1),\n", " ('bristling with insectile manipulators. ', 1),\n", " ('TILTING DOWN to follow it as it descends away into the', 1),\n", " ('limitless blackness below. Soon they are fireflies, then', 1),\n", " ('stars. Then gone. ', 1),\n", " ('2 EXT. / INT. MIR ONE / NORTH ATLANTIC DEEP 2', 1),\n", " ('PUSHING IN on one of the falling submersibles, called MIR', 1),\n", " ('ONE, right up to its circular viewport to see the occupants. ', 1),\n", " ('INSIDE, it is a cramped seven foot sphere, crammed with', 1),\n", " ('equipment. ANATOLY MIKAILAVICH, the subs pilot, sits', 1),\n", " ('hunched over his controls. . . singing softly in Russian. ', 1),\n", " ('Next to him on one side is BROCK LOVETT. Hes in his late', 1),\n", " ('forties, deeply tanned, and likes to wear his Nomex suit', 1),\n", " ('unzipped to show the gold from famous shipwrecks covering', 1),\n", " ('his gray chest hair. He is a wiley, fast-talking treasure', 1),\n", " ('hunter, a salvage superstar who is part historian, part', 1),\n", " ('adventurer and part vacuum cleaner salesman. Right now, he', 1),\n", " ('is propped against the CO2 scrubber, fast asleep and', 1),\n", " ('snoring. ', 1),\n", " ('On the other side, crammed into the remaining space is a', 1),\n", " ('bearded wide-body named LEWIS BODINE, sho is also asleep. ', 1),\n", " ('Lewis is an R. O. V. (REMOTELY OPERATED VEHICLE) pilot and is', 1),\n", " ('the resident Titanic expert. ', 1),\n", " ('Anatoly glances at the bottom sonar and makes a ballast', 1),\n", " ('adjustment. ', 1),\n", " ('3 EXT. THE BOTTOM OF THE SEA 3', 1),\n", " ('A pale, dead-flat lunar landscape. It gets brighter, lit', 1),\n", " ('from above, as MIR ONE enters FRAME and drops to the', 1),\n", " ('seafloor in a downblast from its thrusters. It hits bottom', 1),\n", " ('after its two hour free-fall with a loud BONK. ', 1),\n", " ('4 INT. MIR ONE 4', 1),\n", " ('Lovett and Bodine jerk awake at the landing. ', 1),\n", " ('(heavy Russian accent)', 1),\n", " ('We are here. ', 1),\n", " ('EXT. / INT. MIR ONE AND TWO', 1),\n", " ('5 MINUTES LATER: THE TWO SUBS skim over the seafloor to', 1),\n", " ('the sound of sidescan sonar and the THRUM of big thrusters. ', 1),\n", " ('6 The featureless gray clay of the bottom unrols in the', 1),\n", " ('lights of the subs. Bodine is watching the sidescan sonar', 1),\n", " ('display, where the outline of a huge pointed object is', 1),\n", " ('visible. Anatoly lies prone, driving the sub, his face', 1),\n", " ('pressed to the center port. ', 1),\n", " ('Come left a little. Shes right in', 1),\n", " ('front of us, eighteen meters. ', 1),\n", " ('Fifteen. Thirteen. . . you should see it. ', 1),\n", " ('Do you see it? I dont see it. . . ', 1),\n", " ('there!', 1),\n", " ('Out of the darkness, like a ghostly apparition, the bow of', 1),\n", " ('the ship appears. Its knife-edge prow is coming straight at', 1),\n", " ('us, seeming to plow the bottom sediment like ocean waves. ', 1),\n", " ('It towers above the seafloor, standing just as it landed 84', 1),\n", " ('years ago. ', 1),\n", " ('THE TITANIC. Or what is left of her. Mir One goes up and', 1),\n", " ('over the bow railing, intact except for an overgrowth of', 1),\n", " ('\"rusticles\" draping it like mutated Spanish moss. ', 1),\n", " ('2. ', 1),\n", " ('2 CONTINUED: 2', 1),\n", " ('TIGHT ON THE EYEPIECE MONITOR of a video camcorder. Brock', 1),\n", " ('Lovetts face fills the BLACK AND WHITE FRAME. ', 1),\n", " ('It still gets me every time. ', 1),\n", " ('The image pans to the front viewport, looking over Anatolys', 1),\n", " ('shoulder, to the bow railing visible in the lights beyond. ', 1),\n", " ('Anatoly turns. ', 1),\n", " ('Is just your guilt because of', 1),\n", " ('estealing from the dead. ', 1),\n", " ('CUT WIDER, to show that Brock is operating the camera', 1),\n", " ('himself, turning it in his hand so it points at his own', 1),\n", " ('face. ', 1),\n", " ('Thanks, Tolya. Work with me, here. ', 1),\n", " ('Brock resumes his serious, pensive gaze out the front port,', 1),\n", " ('with the camera aimed at himself at arms length. ', 1),\n", " ('It still gets me every time. . . to see', 1),\n", " ('the sad ruin of the great ship sitting', 1),\n", " ('here, where she landed at 2:30 in the', 1),\n", " ('morning, April 15, 1912, after her long', 1),\n", " ('fall from the world above. ', 1),\n", " ('Anatoly rolls his eyes and mutters in Russian. Bodine', 1),\n", " ('chuckles and watches the sonar. ', 1),\n", " ('You are so full of shit, boss. ', 1),\n", " ('7 Mir Two drives aft down the starboard side, past the huge', 1),\n", " ('anchor while Mir One passes over the seemingly endless', 1),\n", " ('forecastle deck, with its massive anchor chains still laid', 1),\n", " ('out in two neat rows, its bronze windlass caps gleaming. ', 1),\n", " ('The 22 foot long subs are like white bugs next to the', 1),\n", " ('enormous wreck. ', 1),\n", " ('Dive nine. Here we are again on the', 1),\n", " ('deck of Titanic. . . two and a half', 1),\n", " ('miles down. The pressure is three', 1),\n", " ('tons per square inch, enough to', 1),\n", " ('crush us like a freight train going', 1),\n", " ('over an ant if our hull fails. ', 1),\n", " ('3. ', 1),\n", " ('These windows are nine inches thick and', 1),\n", " ('if they go, its sayonara in two', 1),\n", " ('microseconds. ', 1),\n", " ('8 Mir Two lands on the boat deck, next to the ruins of the', 1),\n", " ('Officers Quarters. Mir One lands on the roof of the deck', 1),\n", " ('hous nearby. ', 1),\n", " ('Right. Lets go to work. ', 1),\n", " ('Bodine slips on a pair of 3-D electronic goggles, and grabs', 1),\n", " ('the joystick controls of the ROV. ', 1),\n", " ('9 OUTSIDE THE SUB, the ROV, a small orange and black robot', 1),\n", " ('called SNOOP DOG, lifts from its cradle and flies forward. ', 1),\n", " ('BODINE (V. O. )', 1),\n", " ('Walkin the dog. ', 1),\n", " ('SNOOP DOG drives itself away from the sub, paying out its', 1),\n", " ('umbilical behind it like a robot yo-yo. Its twin stereovideo cameras swivel like insect eyes. The ROV descends',\n", " 1),\n", " ('through an open shaft that once was the beautiful First', 1),\n", " ('Class Grand Staircase. ', 1),\n", " ('Snoop Dog goes down several decks, then moves laterally into', 1),\n", " ('the First Class Reception Room. ', 1),\n", " ('SNOOPS VIDEO POV, moving through the cavernous interior. ', 1),\n", " ('The remains of the ornate handcarved woodwork which gave the', 1),\n", " ('ship its elegance move through the floodlights, the lines', 1),\n", " ('blurred by slow dissolution and descending rusticle', 1),\n", " ('formations. Stalactites of rust hang down so that at times', 1),\n", " ('it looks like a natural grotto, then the scene shifts and', 1),\n", " ('the lines of a ghostly undersea mansion can be seen again. ', 1),\n", " ('MONTAGE STYLE, as Snoop passes the ghostly images of', 1),\n", " ('Titanics opulence:', 1),\n", " ('10 A grand piano in amazingly good shape, crashed on its', 1),\n", " ('side against a wall. The keys gleam black and white in the', 1),\n", " ('lights. ', 1),\n", " ('11 A chandelier, still hanging from the ceiling by its', 1),\n", " ('wire. . . glinting as Snoop moves around it. ', 1),\n", " ('12 Its lights play across the floor, revealing a champagne', 1),\n", " ('bottle, then some WHITE STAR LINE china. . . a womans hightop \"granny shoe\". Then something eerie: what looks like a',\n", " 1),\n", " ('childs skull resolves into the porcelain head of a doll. ', 1),\n", " ('Snoop enters a corridor which is much better preserved. ', 1),\n", " ('Here and there a door still hangs on its rusted hinges. ', 1),\n", " ('4. ', 1),\n", " ('LOVETT (V. O. ) (contd)', 1),\n", " ('An ornate piece of molding, a wall sconce. . . hint at', 1),\n", " ('the grandeur of the past. ', 1),\n", " ('13 THE ROV turns and goes through a black doorway, entering', 1),\n", " ('room B-52, the sitting room of a \"promenade suite\", one of', 1),\n", " ('the most luxurious staterooms on Titanic. ', 1),\n", " ('Im in the sitting room. Heading for', 1),\n", " ('bedroom B-54. ', 1),\n", " ('Stay off the floor. Dont stir it up', 1),\n", " ('like you did yesterday. ', 1),\n", " ('Im tryin boss. ', 1),\n", " ('Glinting in the lights are the brass fixtures of the nearperfectly preserved fireplace. An albino Galathea crab',\n", " 1),\n", " ('crawls over it. Nearby are the remains of a divan and a', 1),\n", " ('writing desk. The Dog crosses the ruins of the once elegant', 1),\n", " ('room toward another DOOR. It squeezes through the', 1),\n", " ('doorframe, scraping rust and wood chunks loose on both', 1),\n", " ('sides. It moves out of a cloud of rust and keeps on going. ', 1),\n", " ('Im crossing the bedroom. ', 1),\n", " ('The remains of a pillared canopy bed. Broken chairs, a', 1),\n", " ('dresser. Through the collapsed wall of the bathroom, the', 1),\n", " ('porcelain commode and bathtub took almost new, gleaming in', 1),\n", " ('the dark. ', 1),\n", " ('Okay, I want to see whats under', 1),\n", " ('that wardrobe door. ', 1),\n", " ('SEVERAL ANGLES as the ROV deploys its MANIPULATOR ARMS and', 1),\n", " ('starts moving debris aside. A lamp is lifted, its ceramic', 1),\n", " ('colors as bright as they were in 1912. ', 1),\n", " ('Easy, Lewis. Take it slow. ', 1),\n", " ('Lewis grips a wardrobe door, lying at an angle in a corner,', 1),\n", " ('and pulls it with Snoops gripper. It moves reluctantly in', 1),\n", " ('a cloud of silt. Under it is a dark object. The silt', 1),\n", " ('clears and Snoops cameras show them what was under the', 1),\n", " ('door. . . ', 1),\n", " ('Ooohh daddy-oh, are you seein what Im', 1),\n", " ('seein?', 1),\n", " ('5. ', 1),\n", " ('CLOSE ON LOVETT, watching his moniteors. By his expression', 1),\n", " ('it is like he is seeing the Holy Grail. ', 1),\n", " ('Oh baby baby baby. ', 1),\n", " ('(grabs the mike)', 1),\n", " ('Its payday, boys. ', 1),\n", " ('ON THE SCREEN, in the glare of the lights, is the object of', 1),\n", " ('their quest: a small STEEL COMBINATION SAFE. ', 1),\n", " ('14 EXT. STERN OF DECK OF KEDYSH - DAY 14', 1),\n", " ('THE SAFE, dripping wet in the afternoon sun, is lowered onto', 1),\n", " ('the deck of a ship by a winch cable. ', 1),\n", " ('We are on the Russian research vessel AKADEMIK MISTISLAV', 1),\n", " ('KELDYSH. A crowd has gathered, including most of the crew', 1),\n", " ('of KELDYSH, the sub crews, and a hand-wringing money guy', 1),\n", " ('named BOBBY BUELL who represents the limited partners. ', 1),\n", " ('There is also a documentary video crew, hired by Lovett to', 1),\n", " ('cover his moment of glory. ', 1),\n", " ('Everyone crowds around the safe. In the background Mir Two', 1),\n", " ('is being lowered into its cradle on deck by a massive', 1),\n", " ('hydraulic arm. Mir One is already recovered with Lewis', 1),\n", " ('Bodine following Brock Lovett as he bounds over to the safe', 1),\n", " ('like a kid on Christman morning. ', 1),\n", " ('Whos the best? Say it. ', 1),\n", " ('You are, Lewis. ', 1),\n", " ('(to the video crew)', 1),\n", " ('You rolling?', 1),\n", " ('CAMERAMAN', 1),\n", " ('Rolling. ', 1),\n", " ('Brock nods to his technicians, and they set about drilling', 1),\n", " ('the safes hinges. During this operation, Brock amps the', 1),\n", " ('suspense, working the lens to fill the time. ', 1),\n", " ('Well, here it is, the moment of', 1),\n", " ('truth. Heres where we find out if the', 1),\n", " ('time, the sweat, the money spent to', 1),\n", " ('charter this ship and these subs, to', 1),\n", " ('come out here to the middle of the', 1),\n", " ('North Atlantic. . . were worth it. ', 1),\n", " ('6. ', 1),\n", " ('CONTINUED: (4)', 1),\n", " ('If what we think is in that same. . . is', 1),\n", " ('in that safe. . . it will be. ', 1),\n", " ('Lovett grins wolfishly in anticipation of his greatest find', 1),\n", " ('yet. The door is pried loose. It clangs onto the deck. ', 1),\n", " ('Lovett moves closer, peering into the safes wet interior. ', 1),\n", " ('A long moment then. . . his face says it all. ', 1),\n", " ('You know, boss, this happened to', 1),\n", " ('Geraldo and his career never', 1),\n", " ('recovered. ', 1),\n", " ('(to the video cameraman)', 1),\n", " ('Get that outta my face. ', 1),\n", " ('15 INT. LAB DECK, PRESERVATION ROOM - DAY 15', 1),\n", " ('Technicians are carefully removing some papers from the safe', 1),\n", " ('and placing them in a tray of water to separate them safely. ', 1),\n", " ('Nearby, other artifacts from the stateroom are being washed', 1),\n", " ('and preserved. ', 1),\n", " ('Buell is on the satellite phone with the INVESTORS. Lovett', 1),\n", " ('is yelling at the video crew. ', 1),\n", " ('You send out what I tell you when I', 1),\n", " ('tell you. Im signing your', 1),\n", " ('paychecks, not 60 minutes. Now get set', 1),\n", " ('up for the uplink. ', 1),\n", " ('Buell covers the phone and turns to Lovett. ', 1),\n", " ('The partners want to know how its', 1),\n", " ('going?', 1),\n", " ('How its going? Its going like a', 1),\n", " ('first date in prison, whattaya', 1),\n", " ('think?!', 1),\n", " ('Lovett grabs the phone from Buell and goes instantly smooth. ', 1),\n", " ('Hi, Dave? Barry? Look, it wasnt in', 1),\n", " ('the safe. . . ', 1),\n", " ('7. ', 1),\n", " ('14 CONTINUED: 14', 1),\n", " ('no, look, dont worry about it,', 1),\n", " ('therere still plenty of places it', 1),\n", " ('could be. . . in the floor debris in the', 1),\n", " ('suite, in the mothers room, in the', 1),\n", " ('pursers safe on C deck. . . ', 1),\n", " ('(seeing something)', 1),\n", " ('Hang on a second. ', 1),\n", " ('A tech coaxes some letters in the water tray to one side', 1),\n", " ('with a tong. . . revealing a pencil (conte crayon) drawing of', 1),\n", " ('a woman. ', 1),\n", " ('Brock looks closely at the drawing, which is in excellent', 1),\n", " ('shape, though its edges have partially disintegrated. The', 1),\n", " ('woman is beautiful, and beautifully rendered. In her late', 1),\n", " ('teens or early twenties, she is nude, though posed with a', 1),\n", " ('kind of casual modesty. She is on an Empire divan, in a', 1),\n", " ('pool of light that seems to radiate outward from her eyes. ', 1),\n", " ('Scrawled in the lower right corner is the date: April 14', 1),\n", " ('1912. And the initials JD. ', 1),\n", " ('The girl is not entirely nude. At her throat is a diamond', 1),\n", " ('necklace with one large stone hanging in the center. ', 1),\n", " ('Lovett grabs a reference photo from the clutter on the lab', 1),\n", " ('table. It is a period black-and-white photo of a diamond', 1),\n", " ('necklace on a black velvet jellers display stand. He holds', 1),\n", " ('it next to the drawing. It is clearly the same piece. . . a', 1),\n", " ('complex setting with a massive central stone which is almost', 1),\n", " ('heart-shaped. ', 1),\n", " ('16 INSERT 16', 1),\n", " ('A CNN NEWS STORY: a live satellite feed from the deck of', 1),\n", " ('the Keldysh, intercut with the CNN studio. ', 1),\n", " ('ANNOUNCER', 1),\n", " ('Treasure hunter Brock Lovett is best', 1),\n", " ('known for finding Spanish gold in', 1),\n", " ('sunken galleons in the Caribbean. Now', 1),\n", " ('he is using deep submergence', 1),\n", " ('technology to work two and a half', 1),\n", " ('miles down at another famous', 1),\n", " ('wreck. . . the Titanic. He is with us', 1),\n", " ('live via satellite from a Russian', 1),\n", " ('research ship in the middle of the', 1),\n", " ('Atlantic. . . hello Brock?', 1),\n", " ('8. ', 1),\n", " ('15 CONTINUED: 15', 1),\n", " ('Yes, hi, Tracy. You know, Titanic is', 1),\n", " ('not just A shipwrick, Titanic is THE', 1),\n", " ('shipwreck. Its the Mount Everest', 1),\n", " ('of shipwrecks. ', 1),\n", " ('17 INT. HOUSE / CERAMICS STUDIO 17', 1),\n", " ('PULL BACK from the screen, showing the CNN report playing on', 1),\n", " ('a TV set in the living room of a small rustic house. It is', 1),\n", " ('full of ceramics, figurines, folk art, the walls crammed', 1),\n", " ('with drawings and paintings. . . things collected over a', 1),\n", " ('lifetime. ', 1),\n", " ('PANNING to show a glassed-in studio attached to the house. ', 1),\n", " ('Outside it is a quiet morning in Ojai, California. In the', 1),\n", " ('studio, amid incredible clutter, an ANCIENT WOMAN is', 1),\n", " ('throwing a pot on a potters wheel. The liquid red clay', 1),\n", " ('covers her hands. . . hands that are gnarled and age-spotted,', 1),\n", " ('but still surprisingly strong and supple. A woman in her', 1),\n", " ('early forties assists her. ', 1),\n", " ('Ive planned this expedition for', 1),\n", " ('three years, and were out here', 1),\n", " ('recovering some amazing things. . . ', 1),\n", " ('things that will have enormous', 1),\n", " ('historical and educational value. ', 1),\n", " ('CNN REPORTER (V. O. )', 1),\n", " ('But its no secret that education is not', 1),\n", " ('your main purpose. Youre a treasure', 1),\n", " ('hunter. So what is the treasure', 1),\n", " ('youre hunting?', 1),\n", " ('Id rather show you than tell you, and', 1),\n", " ('we think were very close to doing', 1),\n", " ('just that. ', 1),\n", " ('The old womans name is ROSE CALVERT. Her face is a', 1),\n", " ('wrinkled mass, her body shapeless and shrunken under a onepiece African-print dress. ',\n", " 1),\n", " ('But her eyes are just as bright and alive as those of a', 1),\n", " ('young girl. ', 1),\n", " ('Rose gets up and walks into the living room, wiping pottery', 1),\n", " ('clay from her hands with a rag. A Pomeranian dog gets up', 1),\n", " ('and comes in with her. ', 1),\n", " ('9. ', 1),\n", " ('16 CONTINUED: 16', 1),\n", " ('The younger soman, LIZZY CALVERT, rushes to help her. ', 1),\n", " ('Turn that up please, dear. ', 1),\n", " ('REPORTER (V. O. )', 1),\n", " ('Your expedition is at the center of a', 1),\n", " ('storm of controversy over salvage rights', 1),\n", " ('and even ethics. Many are calling you', 1),\n", " ('a grave robber. ', 1),\n", " ('TIGHT ON THE SCREEN. ', 1),\n", " ('Nobody called the recovery of the', 1),\n", " ('artifacts from King Tuts tomb grave', 1),\n", " ('robbing. I have museum-trained', 1),\n", " ('experts here, making sure this stuff is', 1),\n", " ('preserved and catalogued properly. ', 1),\n", " ('Look at this drawing, which was found', 1),\n", " ('today. . . ', 1),\n", " ('The video camera pans off Brock to the drawing, in a tray of', 1),\n", " ('water. The image of the woman with the necklace FILLS', 1),\n", " ('FRAME. ', 1),\n", " ('. . . a piece of paper thats been', 1),\n", " ('underwater for 84 years. . . and my', 1),\n", " ('team are able to preserve it', 1),\n", " ('intanct. Should this have remained', 1),\n", " ('unseen at the bottom of the ocean for', 1),\n", " ('eternity, when we can see it and enjoy it', 1),\n", " ('now. . . ?', 1),\n", " ('ROSE is galvanized by this image. Her mouth hangs open in', 1),\n", " ('amazement. ', 1),\n", " ('18 EXT. KELDYSH DECK - NIGHT 18', 1),\n", " ('CUT TO KELDYSH. The Mir subs are being launched. Mir Two', 1),\n", " ('is already in the water, and Lovett is getting ready to', 1),\n", " ('climb into Mir One when Bobby Buell runs up to him. ', 1),\n", " ('Theres a satellite call for you. ', 1),\n", " ('10. ', 1),\n", " ('17 CONTINUED: 17', 1),\n", " ('Bobby, were launching. See these', 1),\n", " ('submersibles here, going in the', 1),\n", " ('water? Take a message. ', 1),\n", " ('No, trust me, you want to take this', 1),\n", " ('19 INT. LAB DECK / KELDYSH - NIGHT 19', 1),\n", " ('Beull hands Lovett the phone, pushing down the blinking', 1),\n", " ('line. The call is from Rose and we see both ends of the', 1),\n", " ('conversation. She is in her kitchen with a mystified Lizzy. ', 1),\n", " ('This is Brock Lovett. What can I do for', 1),\n", " ('you, Mrs. . . ?', 1),\n", " ('Rose Calvert. ', 1),\n", " ('. . . Mrs. Calvert?', 1),\n", " ('I was just wondering if you had', 1),\n", " ('found the \"Heart of the Ocean\" yet, Mr. ', 1),\n", " ('Lovett. ', 1),\n", " ('Brock almost drops the phone. Bobby sees his shocked', 1),\n", " ('expression. . . ', 1),\n", " ('I told you you wanted to take this', 1),\n", " ('Alright. You have my attention,', 1),\n", " ('Rose. Can you tell me who the woman in', 1),\n", " ('the picture is?', 1),\n", " ('Oh yes. The woman in the picture is me. ', 1),\n", " ('11. ', 1),\n", " ('18 CONTINUED: 18', 1),\n", " ('20 EXT. OCEAN - DAY 20', 1),\n", " ('SMASH CUT TO AN ENORMOUS SEA STALLION HELICOPTER thundering', 1),\n", " ('across the ocean. PAN 180 degrees as it roars past. There', 1),\n", " ('is no land at either horizon. The Keldysh is visible in the', 1),\n", " ('distance. ', 1),\n", " ('CLOSE ON A WINDOW of the monster helicopter. Roses face is', 1),\n", " ('visible, looking out calmly. ', 1),\n", " ('21 EXT. KELDYSH - DAY 21', 1),\n", " ('Brock and Bodine are watching Mir 2 being sweng over the', 1),\n", " ('side to start a dive. ', 1),\n", " ('Shes a goddamned liar! A nutcase. ', 1),\n", " ('Like that. . . whats her name? That', 1),\n", " ('Anastasia babe. ', 1),\n", " ('Theyre inbound. ', 1),\n", " ('Brock nods and the three of them head forward to meet the', 1),\n", " ('approaching helo. ', 1),\n", " ('She says shes Rose DeWitt Bukater,', 1),\n", " ('right? Rose DeWitt Bukater died on the', 1),\n", " ('Titanic. At the age of 17. If shedve', 1),\n", " ('lived, shed be over a hundred now. ', 1),\n", " ('A hundred and one next month. ', 1),\n", " ('Okay, so shes a very old goddamned', 1),\n", " ('liar. I traced her as far back as the', 1),\n", " ('20s. . . she was working as an actress', 1),\n", " ('in L. A. An actress. Her name was', 1),\n", " ('Rose Dawson. Then she married a', 1),\n", " ('guy named Calvert, moved to Cedar', 1),\n", " ('Rapids, had two kids. Now Calverts', 1),\n", " ('dead, and from what Ive heard Cedar', 1),\n", " ('Rapids is dead. ', 1),\n", " ('The Sea Stallion approaches the ship, BG, forcing Brock to', 1),\n", " ('yell over the rotors. ', 1),\n", " ('12. ', 1),\n", " ('And everyobody who knows about the', 1),\n", " ('diamond is supposed to be dead. . . or on', 1),\n", " ('this ship. But she knows about it. ', 1),\n", " ('And I want to hear what she has to say. ', 1),\n", " ('Got it?', 1),\n", " ('22 EXT. KELDYSH HELIPAD 22', 1),\n", " ('IN A THUNDERING DOWNBLAST the helicopters wheels bounce', 1),\n", " ('down on the helipad. ', 1),\n", " ('Lovett, Buell and Bodine watch as the HELICOPTER CREW CHIEF', 1),\n", " ('hands out about ten suitcases, and then Rose is lowered to', 1),\n", " ('the deck in a wheelchair by Keldysh crewmen. Lizzy, ducking', 1),\n", " ('unnecessarily under the rotor, follows her out, carrying', 1),\n", " ('FREDDY the Pomeranian. The crew chief hands a puzzled', 1),\n", " ('Keldysh crewmember a goldfish bowl with several fish in it. ', 1),\n", " ('Rose does not travel light. ', 1),\n", " ('HOLD ON the incongruous image of this little old lady,', 1),\n", " ('looking impossibly fragile amongst all the high tech gear,', 1),\n", " ('grungy deck crew and gigantic equipment. ', 1),\n", " ('Scuse me, I have to go check our', 1),\n", " ('supply of Depends. ', 1),\n", " ('23 INT. ROSES STATEROOM / KELDYSH - DAY 23', 1),\n", " ('Lizzy is unpacking Roses things in the small utilitarian', 1),\n", " ('room. Rose is placing a number of FRAMED PHOTOS on the', 1),\n", " ('bureau, arranging them carefully next to the fishbowl. ', 1),\n", " ('Brock and Bodine are in the doorway. ', 1),\n", " ('Is your stateroom alright?', 1),\n", " ('Yes. Very nice. Have you met my', 1),\n", " ('granddaughter, Lizzy? She takes', 1),\n", " ('care of me. ', 1),\n", " ('Yes. We met just a few minutes ago,', 1),\n", " ('grandma. Remember, up on deck?', 1),\n", " ('Oh, yes. ', 1),\n", " ('13. ', 1),\n", " ('21 CONTINUED: 21', 1),\n", " ('Brock glances at Bodine. . . oh oh. Bodine rolls his eyes. ', 1),\n", " ('Rose finishes arranging her photographs. We get a general', 1),\n", " ('glimpse of them: the usual snapshots. . . children and', 1),\n", " ('grandchildren, her late husband. ', 1),\n", " ('There, thats nice. I have to have my', 1),\n", " ('pictures when I travel. And Freddy', 1),\n", " ('of course. ', 1),\n", " ('(to the Pomeranian)', 1),\n", " ('Isnt that right, sweetie. ', 1),\n", " ('Would you like anything?', 1),\n", " ('I should like to see my drawing. ', 1),\n", " ('24 INT. LAB DECK, PRESERVATION AREA 24', 1),\n", " ('Rose looks at the drawing in its tray of water, confronting', 1),\n", " ('herself across a span of 84 years. Until they can figure', 1),\n", " ('out the best way to preserve it, they have to keep it', 1),\n", " ('immersed. It sways and ripples, almost as if alive. ', 1),\n", " ('TIGHT ON Roses ancient eyes, gazing at the drawing. ', 1),\n", " ('25 FLASHCUT of a mans hand, holding a conte crayon deftly', 1),\n", " ('creating a shoulder and the shape of her hair with two', 1),\n", " ('efficient lines. ', 1),\n", " ('26 THE WOMANS FACE IN THE DRAWING, dancing under the', 1),\n", " ('27 A FLASHCUT of a mans eyes, just visible over the top of', 1),\n", " ('a sketching pad. They look up suddenly right into the LENS. ', 1),\n", " ('Soft eyes, but fearlessly direct. ', 1),\n", " ('28 Rose smiles, remembering. Brock has the reference photo', 1),\n", " ('of the necklace in his hand. ', 1),\n", " ('Louis the Sixteenth wore a fabulous', 1),\n", " ('stone, called the Blue Diamond of the', 1),\n", " ('Crown, which disappeared in 1792,', 1),\n", " ('about the time Louis lost everything', 1),\n", " ('from the neck up. The theory goes', 1),\n", " ('that the crown diamond was chopped', 1),\n", " ('too. . . recut into a heart-like', 1),\n", " ('shape. . . and it became Le Coeur de la', 1),\n", " ('Mer. The Heart of the Ocean. ', 1),\n", " ('14. ', 1),\n", " ('23 CONTINUED: 23', 1),\n", " ('Today it would be worth more than the', 1),\n", " ('Hope Diamond. ', 1),\n", " ('It was a dreadful, heavy thing. ', 1),\n", " ('(she points at the drawing)', 1),\n", " ('I only wore it this once. ', 1),\n", " ('You actually believe this is you,', 1),\n", " ('grandma?', 1),\n", " ('It is me, dear. Wasnt I a hot', 1),\n", " ('number?', 1),\n", " ('I tracked it down through insurance', 1),\n", " ('records. . . and old claim that was', 1),\n", " ('settled under terms of absolute', 1),\n", " ('secrecy. Do you know who the', 1),\n", " ('claiment was, Rost?', 1),\n", " ('Someone named Hockley, I should', 1),\n", " ('imagine. ', 1),\n", " ('Nathan Hockley, right. Pittsburgh', 1),\n", " ('steel tycoon. For a diamond', 1),\n", " ('necklace his son Caledon Hockley', 1),\n", " ('bought in France for his fiancee. . . ', 1),\n", " ('you. . . a week before he sailed on', 1),\n", " ('Titanic. And the claim was filed', 1),\n", " ('right after the sinking. So the', 1),\n", " ('diamond had tove gone down with the', 1),\n", " ('See the date?', 1),\n", " ('April 14, 1912. ', 1),\n", " ('If your grandma is who she says she is,', 1),\n", " ('she was wearing the diamond the day', 1),\n", " ('Titanic sank. ', 1),\n", " ('And that makes you my new best', 1),\n", " ('friend. I will happily compensate you', 1),\n", " ('for anything you can tell us that', 1),\n", " ('will lead to its recovery. ', 1),\n", " ('15. ', 1),\n", " ('24 CONTINUED: 24', 1),\n", " ('I dont want your money, Mr. Lovett. I', 1),\n", " ('know how hard it is for people who care', 1),\n", " ('greatly for money to give some away. ', 1),\n", " ('(skeptical)', 1),\n", " ('You dont want anything?', 1),\n", " ('(indicating the drawing)', 1),\n", " ('You may give me this, if anything I', 1),\n", " ('tell you is of value. ', 1),\n", " ('Deal. ', 1),\n", " ('(crossing the room)', 1),\n", " ('Over here are a few things weve', 1),\n", " ('recovered from your staterooms. ', 1),\n", " ('Laid out on a worktable are fifty or so objects, from', 1),\n", " ('mundane to valuable. Rose, shrunken in her chair, can', 1),\n", " ('barely see over the table top. With a trembling hand she', 1),\n", " ('lifts a tortoise shell hand mirror, inlaid with mother of', 1),\n", " ('pearl. She caresses it wonderingly. ', 1),\n", " ('This was mine. How extraordinary! It', 1),\n", " ('looks the same as the last time I saw', 1),\n", " ('it. ', 1),\n", " ('She turns the mirror over and looks at her ancient face in', 1),\n", " ('the cracked glass. ', 1),\n", " ('The reflection has changed a bit. ', 1),\n", " ('She spies something else, a silver and moonstone art-nouveau', 1),\n", " ('brooch. ', 1),\n", " ('My mothers brooch. She wanted to go', 1),\n", " ('back for it. Caused quite a fuss. ', 1),\n", " ('Rose picks up an ornate art-nouveau HAIR COMB. A jade', 1),\n", " ('butterfly takes flight on the ebony handle of the comb. She', 1),\n", " ('turns it slowly, remembering. We can see that Rose is', 1),\n", " ('experiencing a rush of images and emotions that have lain', 1),\n", " ('dormant for eight decades as she handles the butterfly comb. ', 1),\n", " ('16. ', 1),\n", " ('24 CONTINUED: (2) 24', 1),\n", " ('Are you ready to go back to Titanic?', 1),\n", " ('29 INT. IMAGING SHACK / KELDYSH 29', 1),\n", " ('It is a darkened room lined with TV monitors. IMAGES OF THE', 1),\n", " ('WRECK fill the screens, fed from Mir One and Two, and the', 1),\n", " ('two ROVs, Snoop Dog and DUNCAN. ', 1),\n", " ('Live from 12,000 feet. ', 1),\n", " ('ROSE stares raptly at the screens. She is enthraled by one', 1),\n", " ('in particular, an image of the bow railing. It obviously', 1),\n", " ('means something to her. Brock is studying her reactions', 1),\n", " ('carefully. ', 1),\n", " ('The bows struck in the bottom like an', 1),\n", " ('axe, from the impact. Here. . . I can run', 1),\n", " ('a simulation we worked up on this', 1),\n", " ('monitor over here. ', 1),\n", " ('Lizzy turns the chair so Rose can see the screen of Bodines', 1),\n", " ('computer. As he is calling up the file, he keeps talking. ', 1),\n", " ('Weve put together the worlds', 1),\n", " ('largest database on the Titanic. ', 1),\n", " ('Okay, here. . . ', 1),\n", " ('Rose might not want to see this,', 1),\n", " ('Lewis. ', 1),\n", " ('No, no. Its fine. Im curious. ', 1),\n", " ('Bodine starts a COMPUTER ANIMATED GRAPHIC on the screen,', 1),\n", " ('which parallels his rapid-fire narration. ', 1),\n", " ('She hits the berg on the starboard', 1),\n", " ('side and it sort of bumps along. . . ', 1),\n", " ('punching holes like a morse code. . . dit', 1),\n", " ('dit dit, down the side. Now shes', 1),\n", " ('flooding in the', 1),\n", " ('17. ', 1),\n", " ('24 CONTINUED: (3) 24', 1),\n", " ('forward compartments. . . and the', 1),\n", " ('water spills over the tops of the', 1),\n", " ('bulkheads, going aft. As her bow is', 1),\n", " ('going down, her stern is coming', 1),\n", " ('up. . . slow at first. . . and then', 1),\n", " ('faster and faster until its lifting all', 1),\n", " ('that weight, maybe 20 or 30 thousand', 1),\n", " ('tons. . . out of the water and the', 1),\n", " ('hull cant deal. . . so', 1),\n", " ('SKRTTT!!', 1),\n", " ('(making a sound in time with the animation) . . . it splits!', 1),\n", " ('Right down to the keel, which acts like a big hinge. Now', 1),\n", " ('the bow swings down and the stern falls back level. . . ', 1),\n", " ('but the weight of the bow pulls the stern up vertical, and', 1),\n", " ('then the bow section detaches, heading for the bottom. ', 1),\n", " ('The stern bobs like a cork, floods and goes under about', 1),\n", " ('2:20 a. m. Two hours and forty minutes after the', 1),\n", " ('collision. ', 1),\n", " ('The animation then follows the bow section as it sinks. ', 1),\n", " ('Rose watches this clinical dissection of the disaster', 1),\n", " ('without emotion. ', 1),\n", " ('The bow pulls out of its dive and', 1),\n", " ('planes away, almost a half a mile,', 1),\n", " ('before it hits the bottom going', 1),\n", " ('maybe 12 miles an hour. KABOOM!', 1),\n", " ('The bow impacts, digging deeply into the bottom, the', 1),\n", " ('animation now follows the stern. ', 1),\n", " ('The stern implodes as it sinks, from the', 1),\n", " ('pressure, and rips apart from the', 1),\n", " ('force of the current as it falls,', 1),\n", " ('landing like a big pile of junk. ', 1),\n", " ('(indicating the simulation)', 1),\n", " ('Cool huh?', 1),\n", " ('Thank you for that fine forensic', 1),\n", " ('analysis, Mr. Bodine. Of course the', 1),\n", " ('experience of it was somewhat less', 1),\n", " ('clinical. ', 1),\n", " ('Will you share it with us?', 1),\n", " ('18. ', 1),\n", " ('29 CONTINUED: 29', 1),\n", " ('Her eyes go back to the screens, showing the sad ruins far', 1),\n", " ('below them. ', 1),\n", " ('A VIEW from one of the subs TRACKING SLOWLY over the boat', 1),\n", " ('deck. Rose recognizes one of the Wellin davits, still in', 1),\n", " ('place. She hears ghostly waltz music. The faint and', 1),\n", " ('echoing sound of an officers voice, English accented,', 1),\n", " ('calling \"Women and children only\". ', 1),\n", " ('30 FLASH CUTS of screaming faces in a running crowd. ', 1),\n", " ('Pandemonium and terror. People crying, praying, kneeling on', 1),\n", " ('the deck. Just impressions. . . flashes in the dark. ', 1),\n", " ('31 Rose Looks at another monitor. SNOOP DOG moving down a', 1),\n", " ('rusted, debris-filled corridor. Rose watches the endless', 1),\n", " ('row of doorways sliding past, like dark mouths. ', 1),\n", " ('32 IMAGE OF A CHILD, three years old, standing ankle deep', 1),\n", " ('in water in the middle of an endless corridor. The child is', 1),\n", " ('lost alone, crying. ', 1),\n", " ('33 Rose is shaken by the flood of memories and emotions. ', 1),\n", " ('Her eyes well up and she puts her head down, sobbing', 1),\n", " ('quietly. ', 1),\n", " ('(taking the wheelchair)', 1),\n", " ('Im taking her to rest. ', 1),\n", " ('No!', 1),\n", " ('Her voice is surprisingly strong. The sweet little old lady', 1),\n", " ('is gone, replaced by a woman with eyes of steel. Lovett', 1),\n", " ('signals everyone to stay quiet. ', 1),\n", " ('Tell us, Rose. ', 1),\n", " ('She looks from screen to screen, the images of the ruined', 1),\n", " ('Its been 84 years. . . ', 1),\n", " ('Just tell us what you can--', 1),\n", " ('(holds up her hand for silence)', 1),\n", " ('Its been 84 years. . . and I can', 1),\n", " ('still smell the fresh paint. ', 1),\n", " ('19. ', 1),\n", " ('The china had never been used. The', 1),\n", " ('sheets had never been slept in. ', 1),\n", " ('He switches on the minirecorder and sets it near her. ', 1),\n", " ('Titanic was called the Ship of', 1),\n", " ('Dreams. And it was. It really', 1),\n", " ('was. . . ', 1),\n", " ('As the underwater camera rises past the rusted bow rail, WE', 1),\n", " ('DISSOLVE / MATCH MOVE to that same railing in 1912. . . ', 1),\n", " ('MATCH DISSOLVE:', 1),\n", " ('34 EXT. SOUTHAMPTON DOCK - DAY 34', 1),\n", " ('SHOT CONTINUES IN A FLORIOUS REVEAL as the gleaming white', 1),\n", " ('superstructure of Titanic rises mountainously beyond the', 1),\n", " ('rail, and above that the buff-colored funnels stand against', 1),\n", " ('the sky like the pillars of a great temple. Crewmen move', 1),\n", " ('across the deck, dwarfed by the awesome scale of the', 1),\n", " ('steamer. ', 1),\n", " ('Southanmpton, England, April 10, 1912. It is almost nnon on', 1),\n", " ('ailing day. A crowd of hundreds blackens the pier next to', 1),\n", " ('Titanic like ants on a jelly sandwich. ', 1),\n", " ('IN FG a gorgeous burgundy RENAULT TOURING CAR swings into', 1),\n", " ('frame, hanging from a loading crane. It is lowered toward', 1),\n", " ('HATCH #2. ', 1),\n", " ('On the pier horsedrawn vehicles, motorcars and lorries move', 1),\n", " ('slowly through the dense throng. The atmosphere is one of', 1),\n", " ('excitement and general giddiness. People embrace in tearful', 1),\n", " ('farewells, or wave and shout bon voyage wishes to friends', 1),\n", " ('and relatives on the decks above. ', 1),\n", " ('A white RENAULT, leading a silver-gray DAIMLER-BENZ, pushes', 1),\n", " ('through the crowd leaving a wake in the press of people. ', 1),\n", " ('Around the handsome cars people are streaming to board the', 1),\n", " ('ship, jostling with hustling seamen and stokers, porters,', 1),\n", " ('and barking WHITE STAR LINE officials. ', 1),\n", " ('The Renault stops and the LIVERIED DRIVER scurries to open', 1),\n", " ('the door for a YOUNG WOMAN dressed in a stunning white and', 1),\n", " ('purple outfit, with an enormous feathered hat. She is 17', 1),\n", " ('years old and beautiful, regal of bearing, with piercing', 1),\n", " ('eyes. ', 1),\n", " ('It is the girl in the drawing. ROSE. She looks up at the', 1),\n", " ('ship, taking it in with cool appraisal. ', 1),\n", " ('20. ', 1),\n", " ('ROSE (contd)', 1),\n", " ('I dont see what all the fuss is', 1),\n", " ('about. It doesnt look any bigger', 1),\n", " ('than the Mauretania. ', 1),\n", " ('A PERSONAL VALET opens the door on the other side of the car', 1),\n", " ('for CALEDON HOCKLEY, the 30 year old heir to the elder', 1),\n", " ('Hockleys fortune. \"Cal\" is handsome, arrogant and rich', 1),\n", " ('beyond meaning. ', 1),\n", " ('You can be blase about some things,', 1),\n", " ('Rose, but not about Titanic. Its', 1),\n", " ('over a hundred feet longer than', 1),\n", " ('Mauretania, and far more luxurious. It', 1),\n", " ('has squash courts, a Parisian cafe. . . ', 1),\n", " ('even Turkish baths. ', 1),\n", " ('Cal turns and fives his hand to Roses mother, RUTH DEWITT', 1),\n", " ('BUKATER, who descends from the touring car being him. Ruth', 1),\n", " ('is a 40ish society empress, from one of the most prominent', 1),\n", " ('Philadelphia families. She is a widow, and rules her', 1),\n", " ('household with iron will. ', 1),\n", " ('Your daughter is much too hard to', 1),\n", " ('impress, Ruth. ', 1),\n", " ('(indicating a puddle)', 1),\n", " ('Mind your step. ', 1),\n", " ('(gazing at the leviathan)', 1),\n", " ('So this is the ship they say is', 1),\n", " ('unsinkable. ', 1),\n", " ('It is unsinkable. God himself', 1),\n", " ('couldnt sink this ship. ', 1),\n", " ('Cal speaks with the pride of a host providing a special', 1),\n", " ('experience. ', 1),\n", " ('This entire entourage of rich Americans is impeccably turned', 1),\n", " ('out, a quintessential example of the Edwardian upper class,', 1),\n", " ('complete with servants. Cals VALET, SPICER LOVEJOY, is a', 1),\n", " ('tall and impassive, dour as an undertaker. Behind him', 1),\n", " ('emerge TWO MAIDS, personal servants to Ruth and Rose. ', 1),\n", " ('A WHITE STAR LINE PORTER scurries toward them, harried by', 1),\n", " ('last minute loading. ', 1),\n", " ('21. ', 1),\n", " ('34 CONTINUED: 34', 1),\n", " ('Sir, youll have to check your', 1),\n", " ('baggage through the main terminal,', 1),\n", " ('round that way--', 1),\n", " ('Cal nonchalantly hands the man a fiver. The porters eyes', 1),\n", " ('dilate. Five pounds was a monster tip in those days. ', 1),\n", " ('I put my faith in you, good sir. ', 1),\n", " ('(curtly, indicating Lovejoy)', 1),\n", " ('See my man. ', 1),\n", " ('Yes, sir. My pleasure, sir. ', 1),\n", " ('Cal never tires of the effect of money on the unwashed', 1),\n", " ('masses. ', 1),\n", " ('(to the porter)', 1),\n", " ('These trunks here, and 12 more in the', 1),\n", " ('Daimler. Well have all this lot up', 1),\n", " ('in the rooms. ', 1),\n", " ('The White Star man looks stricken when he sees the enormous', 1),\n", " ('pile of steamer trunks and suitcases loading down the second', 1),\n", " ('car, including wooden crates and steel safe. He whistles', 1),\n", " ('frantically for some cargo-handlers nearby who come running. ', 1),\n", " ('Cal breezes on, leaving the minions to scramble. He quickly', 1),\n", " ('checks his pocket watch. ', 1),\n", " ('Wed better hurry. This way,', 1),\n", " ('ladies. ', 1),\n", " ('He indicates the way toward the first class gangway. They', 1),\n", " ('move into the crowd. TRUDY BOLT, Roses maid, hustles', 1),\n", " ('behind them, laden with bags of her mistresss most recent', 1),\n", " ('purchases. . . things too delicate for the baggage handlers. ', 1),\n", " ('Cal leads, weaving between vehicles and handcarts, hurrying', 1),\n", " ('passengers (mostly second class and steerage) and wellwishers. Most of the first class passengers are avoiding',\n", " 1),\n", " ('the smelly press of the dockside crowd by using an elevated', 1),\n", " ('boarding bridge, twenty feet above. ', 1),\n", " ('22. ', 1),\n", " ('34 CONTINUED: (2) 34', 1),\n", " ('They pass a line of steerage passengers in their coarse wool', 1),\n", " ('and tweeds, queued up inside movable barriers like cattle in', 1),\n", " ('a chute. A HEALTH OFFICER examines their heads one by one,', 1),\n", " ('checking scalp and eyelashes for lice. ', 1),\n", " ('They pass a well-dressed young man cranking the handle of a', 1),\n", " ('wooden Biograph \"cinematograph\" camera mounted on a tripod. ', 1),\n", " ('NANIEL MARVIN (whose father founded the Biograph Film', 1),\n", " ('Studio) is filming his young bride in front of the Titanic. ', 1),\n", " ('MARY MARVIN stands stiffly and smiles, self conscious. ', 1),\n", " ('DANIEL', 1),\n", " ('Look up at the ship, darling, thats it. ', 1),\n", " ('Youre amazed! You cant believe', 1),\n", " ('how big it is! Like a mountain. ', 1),\n", " ('Thats great. ', 1),\n", " ('Mary Marvin, without an acting fiber in her body, does a bad', 1),\n", " ('Clara Bow pantomime of awe, hands raised. ', 1),\n", " ('Cal is jostled by two yelling steerage boys who shove past', 1),\n", " ('him. And he is bumped again a second later by the boys', 1),\n", " ('father. ', 1),\n", " ('Steady!!', 1),\n", " ('Sorry squire!', 1),\n", " ('The Cockney father pushes on, after his kids, shouting. ', 1),\n", " ('Steerage swine. Apparently missed his', 1),\n", " ('annual bath. ', 1),\n", " ('Honestly, Cal, if you werent', 1),\n", " ('forever booking everything at the', 1),\n", " ('last instant, we could have gone', 1),\n", " ('through the terminal instead of', 1),\n", " ('running along the dock like some', 1),\n", " ('squalid immigrant family. ', 1),\n", " ('All part of my charm, Ruth. At any', 1),\n", " ('rate, it was my darling fiancees', 1),\n", " ('beauty rituals which made us late. ', 1),\n", " ('You told me to change. ', 1),\n", " ('23. ', 1),\n", " ('34 CONTINUED: (3) 34', 1),\n", " ('I couldnt let you wear black on', 1),\n", " ('sailing day, sweetpea. Its bad', 1),\n", " ('luck. ', 1),\n", " ('I felt like black. ', 1),\n", " ('Cal guides them out of the path of a horse-drawn wagon', 1),\n", " ('loaded down with two tons of OXFORD MARMALADE, in wooden', 1),\n", " ('cases, for Titanics Victualling Department. ', 1),\n", " ('Here Ive pulled every string I', 1),\n", " ('could to book us on the grandest', 1),\n", " ('ship in history, in her most', 1),\n", " ('luxurious suites. . . and you act as if', 1),\n", " ('youre going to your execution. ', 1),\n", " ('Rose looks up as the hull of Titanic looms over them. . . a', 1),\n", " ('great iron wall, Bible black and sever. Cal motions her', 1),\n", " ('forward, and she enters the gangway to the D Deck doors with', 1),\n", " ('a sense of overwhelming dread. ', 1),\n", " ('It was the ship of dreams. . . to', 1),\n", " ('everyone else. To me it was a slave', 1),\n", " ('ship, taking me back to America in', 1),\n", " ('chains. ', 1),\n", " ('CLOSE ON CALS HAND IN SLOW-MOTION as it closes possessively', 1),\n", " ('over Roses arm. He escorts her up the gangway and the', 1),\n", " ('black hull of Titanic swallows them. ', 1),\n", " ('Outwardly I was everything a well', 1),\n", " ('brought up girl should be. Inside, I', 1),\n", " ('was screaming. ', 1),\n", " ('35 CUT TO a SCREAMING BLAST from the mighty triple steam', 1),\n", " ('horns on Titanics funnels, bellowing their departure', 1),\n", " ('warning. ', 1),\n", " ('36 EXT. SOUTHAMPTON DOCKS / TITANIC - DAY 36', 1),\n", " ('A VIEW OF TITANIC from several blocks away, towering above', 1),\n", " ('the terminal buildings like the skyline of a city. The', 1),\n", " ('steamers whistle echoes across Southampton. ', 1),\n", " ('24. ', 1),\n", " ('34 CONTINUED: (4) 34', 1),\n", " ('PULL BACK, revealing that we were looking through a window,', 1),\n", " ('and back further to show the smoky inside of a pub. It is', 1),\n", " ('crowded with dockworkers and ship;s crew. ', 1),\n", " ('Just inside the window, a poker game is in progress. FOUR', 1),\n", " ('MEN, in working class clothes, play a very serious hand. ', 1),\n", " ('JACK DAWSON and FABRIZIO DE ROSSI, both about 20, exchange a', 1),\n", " ('glance as the other two players argue in Swedish. Jack is', 1),\n", " ('American, a lanky drifter with his hair a little long for', 1),\n", " ('the standards of the times. He is also unshaven, and his', 1),\n", " ('clothes are rumpled from sleeping in them. He is an artist,', 1),\n", " ('and has adopted the bohemian style of art scene in Paris. ', 1),\n", " ('He is also very self-possessed and sure-footed for 20,', 1),\n", " ('having lived on his own since 15. ', 1),\n", " ('The TWO SWEDES continue their sullen argument, in Swedish. ', 1),\n", " ('OLAF', 1),\n", " ('You stupid fishhead. I cant', 1),\n", " ('believe you bet our tickets. ', 1),\n", " ('SVEN', 1),\n", " ('You lost our money. Im just trying to', 1),\n", " ('get it back. Now shutup and take a card. ', 1),\n", " ('(jaunty)', 1),\n", " ('Hit me again, Sven. ', 1),\n", " ('Jack takes the card and slips it into his hand. ', 1),\n", " ('ECU JACKS EYES. They betray nothing. ', 1),\n", " ('CLOSE ON FABRIZIO licking his lips nervously as he refuses a', 1),\n", " ('card. ', 1),\n", " ('ECU STACK in the middle of the table. Bills and coins from', 1),\n", " ('four counrties. This has been going on for a while. ', 1),\n", " ('Sitting on top of the money are two 3RD CLASS TICKETS for', 1),\n", " ('RMS TITANIC. ', 1),\n", " ('The Titanics whistle blows again. Final warning. ', 1),\n", " ('The moment of truth boys. ', 1),\n", " ('Somebodys lifes about to change. ', 1),\n", " ...]" ] }, "execution_count": 7, "metadata": {}, "output_type": "execute_result" } ], "source": [ "sorted_sentences = sorted(new_text_count.items(), key=lambda kv: kv[1], reverse=True)\n", "sorted_sentences" ] }, { "cell_type": "code", "execution_count": null, "metadata": {}, "outputs": [], "source": [] } ], "metadata": { "kernelspec": { "display_name": "Python 3", "language": "python", "name": "python3" }, "language_info": { "codemirror_mode": { "name": "ipython", "version": 3 }, "file_extension": ".py", "mimetype": "text/x-python", "name": "python", "nbconvert_exporter": "python", "pygments_lexer": "ipython3", "version": "3.7.3" } }, "nbformat": 4, "nbformat_minor": 2 }